17th June, 2000
To pick up on my analogy from two posts ago, where I said that these Hot Latin #1s are not the tip of the iceberg, but only the tiny portion of the tip exposed to the air (everything below water, in this analogy, never charted at all, but its vast bulk sustains the rest), Thalía's career to this point has taken place entirely within the iceberg, but mostly above the waterline. A pop star in Mexico since 1986, when she joined the juvenile pop group Timbiriche (which also incubated another figure we have yet to meet on this travelogue, but will), and a telenovela star since 1987, she released her first solo album in 1990 and had her first pan-Latin crossover smash in 1994 (with production and songwriting assistance from... Emilio Estefan). That she has not shown up here before is a product of chance, not her lack of starpower.
In fact by 2000 it would be possible for a devoted Latin Pop watcher to think of Thalía as being rather long in the tooth, especially with the sinuous, more forcefully artistic Shakira coming up from behind. (Wait for it...) The success of this song, indeed, bears all the hallmarks of a turn towards adult contemporary: shuffling rhythms and wordless chants lifted from the kind of South African pop that Anglophone stars have been using to sound classy ever since Graceland, twinkly percussion, a vaguely spiritual, nature-infused lyric (the title translates to "between the sea and a star"), and an unflustered performance from Thalía that calls to mind Gloria Estefan at her most comfortable. Since other songs on the album included a Gloria Estefan cover and a remake of the great 60s South African hit "Pata Pata," this feels right at home with other turn-of-the-millennium adult-contemporary hits like Sting's "Desert Rose."
But although "Entre el Mar y una Estrella" was the first single, in the context of the album Arrasando it functions more like a traditional second single, the ballad after the uptempo smash: the electronic "Regresa a Mí" or the punchy title track, which became singles later, would have fit in just fine with the Ricky Martins and Marc Anthonys who were the most exciting things in Latin Pop at the moment. But they didn't hit #1, and this did.